Här samlar vi podcaster som handlar om ljud

Each episode of the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Juan Ortiz is a production sound mixer and boom op based out of Philadelphia, Pennsylvania. He uses a Sound Devices 833 mixer/recorder and also likes the Audio Limited/Sound Devices A10 wireless transmitters and receivers. On the boom pole, Juan uses the Schoeps CMC 641 and the CMIT 5 as well as the Sennheiser MKH-50 and MKH-416. For wires, he uses DPA lavs and Sanken COS-11s. Juan also likes Tentacle Sync timecode sync boxes including the Timebar Slate. Betso Bowtie antennas also round out the kit. Check out Juan at https://www.reddpenmedia.com/ and https://www.instagram.com/b3hindtheboom/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Tonebenders is a Sound Design podcast dedicated to covering the worlds of sound editing, field recording and audio post production for film, television and gaming. Through interviews and experiments we delve into everything from foley to plugins. Check us out at www.tonebenderspodcast.com
This episode features an interview with Supervising Sound Editor and Re-Recording Mixer Skip Lievsay, from the recent film Marty Supreme. Skip discusses his team’s approach to the ping pong sound effects and how to use use background sounds to ground a film in a certain time and place. Skip has worked with both Safdie brothers together on Uncut Gems and then with Benny on his own for Smashing Machine and Josh solo on Marty Supreme. Skip tells me what each experience was like. After I finish talking with Skip Lievsay, this episode concludes with backstage interviews featuring all the winners from the sound categories at the recent Director’s Guild of Canada Awards. ______SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries.
This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit https://sound-ideas.com/ now! _______
Episode Notes: https://tonebenderspodcast.com/347-marty-supreme/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead

Roundtable discussions with Sight & Sound film critics exploring new movies and film trends. Currently recorded from themed film festivals on an occasional basis.
Demonic oppression was the story of this year’s UK horror film showcase – along with female survivorship, identity differences and the dangers of the internet. Hardy survivors Kim Newman, Anton Bitel and Virginie Selavy explore our latest demons in this roundtable post-mortem.
Under discussion:
Demonic conspiracies and satanic possession in
👻 For We Are Many (Lawrie Brewster, Andrew Ionides, Brad Watson, Mitch Wilson, Carlos Omar De Leon, Matthan Harris, Dane Keil, Mark Logan; UK)
👻 Porno (Keola Racela, USA)
👻 Ready or Not (Matt Bettinelli-Olpin and Tyler Gillett, USA)
👻 Daniel Isn’t Real (Adam Egypt Mortimer, USA)
👻 The Black String (Brian Hanson, USA)
The slipperiness of truth and safety online in
👻 Death of a Vlogger (Graham Hughes, UK)
👻 Deadcon (Caryn Waechter, USA)
👻 Ghost Killers vs Bloody Mary (Fabrício Bittar, Brazil)
👻 Halloween Party (Jay Dahl, Canada)
👻 The Drone (Jordan Rubin, USA)
Differences of sexuality, class and gender in
👻 Spiral (Kurtis David Harder, Canada)
👻 The Dark Red (Dan Bush, USA)
👻 Satanic Panic (Chelsea Stardust, USA)
👻 The Wind (Emma Tammi, USA)
👻 Criminal Audition (Samuel Gridley, UK)
👻 Why Don’t You Just Die! (Kirill Sokolov, Russia)
Female survivors in
👻 A Good Woman Is Hard to Find (Abner Pastoll, UK)
👻 Feedback (Pedro C. Alonso, Spain/USA)
Parental angst in
👻 Freaks (Zach Lipovsky, Canada)
👻 The Deeper You Dig (Toby Poser & John Adams, USA)
👻 Knives and Skin (Jennifer Reeder, USA)
The monstrous in
👻 Rabid (Jen & Sylvia Soska, Canada)
👻 Depraved (Larry Fessenden, USA)


The A Sound Effect Podcast is the world’s first podcast dedicated to sound effects. It features exclusive interviews on the sound for film and games that make an impact right now, highlights independent sound effects creators and sound effects libraries – and groundbreaking new trends in the sound community.
Not only did Ben Baird design and mix the sound for director Alex Parkinson's DRAMATIC film, Last Breath. He also designed and mixed the sound for director Alex Parkinson's DOCUMENTARY film, Last Breath. Same story told with two different approaches; documentary and dramatic – using the same director, same composer, and of course, same sound designer and mixer.
This is truly a rare occurrence, and we're excited to share how Ben Baird approached the sound for both, what unique challenges each film posed, how documentary sound compares to dramatic film sound – and what he's taken away from this experience of mixing the same story for two different genres.


The Greatest Movies Podcast Ever
Reviewed: The Rip, Mercy
Top 5: Male Performances of 2025
Guest: Jeff York
Monthly Theme: Ben Affleck
Get a load of those Oscar announcements eh?? That’s right – they announced the nominees for this year’s Oscar ceremonies, and you bet your sweet buppie we’re gonna talk about that.
And we’ve got somebody great to talk about that with. We’ve brought our old friend and annual guest: Jeff York! He’s a critic and cartoonist here in Chicago, and a fellow member of our very own Chicago Indie Critics group.
Just like Brian, just like Mark, AND just like Cati – Jeff is an annual friend at our yearly wrap-up, and Jeff’s job is to rank the Top 5 Male Performances of 2025.
Plus, we’ve got a review of the new Matt Damon and Ben Affleck detective thriller: The Rip! For everybody wondering why we’re celebrating Ben Affleck this month: here ya’ go!
We’ve got some fun trivia. We’ve got a capsule review of Mercy. We’ve got it all boy, girls, and enbies.
I love you all,
-KP



Om ljudets olika skepnader och vad det gör med oss. En upptäcktsresa in i en värld som består av ljud. Lyssna på alla avsnitt i Sveriges Radios app.
Ansvarig utgivare: Caroline Salzinger
Och kanske kan den kunskapen hjälpa yrkesfiskare att skrämma bort denna storätare
Lyssna på alla avsnitt i Sveriges Radios app.
Sälar som förstör redskap och äter upp fångst är ett stort problem för yrkesfiskare. Hösten 2023 påbörjades därför ett treårigt forskningsprojekt som handlar om att ta fram en ny sorts sälskrämma. Det är Eva-Lotta Blom, marinbiolog vid SLU i Umeå, och Örjan Johansson professor i teknisk akustik vid Luleå tekniska universitet som arbetar med att utveckla en fungerande skrämma. Dagens skrämmor skickar ut ljud mellan 10-15 000 hertz men ny forskning visar att sälarna hör långt över det och nu arbetar Eva-Lotta och Örjan med att hitta rätt frekvens för att skapa maximalt obehag utan att skada.
Ljudvärld möter de båda för att prata frekvens, morrhår och hur man hanterar ljud i vatten.
Reporter och producent: Joseph Knevel
Slutmix: Maths Källqvist
Ljudvärld produceras för Sveriges Radio av Knevel

The stories behind the world’s most iconic and fascinating sounds.
What does a time machine sound like? Or a magic carpet? For the BBC Radiophonic Workshop, that was just another day at the office. For 40 years, this oddball collective of engineers and composers pushed the boundaries of sound design, crafting eerie atmospheres, quirky jingles, and the iconic audio of Doctor Who. In this episode, we explore the rise and fall of this pioneering studio with composer and archivist Mark Ayres, and uncover how these sonic wizards shaped the future of sound.
Twenty Thousand Hertz is produced by Defacto Sound.
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