Juan Ortiz is a production sound mixer and boom op based out of Philadelphia, Pennsylvania. He uses a Sound Devices 833 mixer/recorder and also likes the Audio Limited/Sound Devices A10 wireless transmitters and receivers. On the boom pole, Juan uses the Schoeps CMC 641 and the CMIT 5 as well as the Sennheiser MKH-50 and MKH-416. For wires, he uses DPA lavs and Sanken COS-11s. Juan also likes Tentacle Sync timecode sync boxes including the Timebar Slate. Betso Bowtie antennas also round out the kit. Check out Juan at https://www.reddpenmedia.com/ and https://www.instagram.com/b3hindtheboom/

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

In the final episode of the talks from SoundDay LA, we have the HBO Panel of Emmy nominated re-recording mixers from The Pitt, DTF St Louis and Hacks. James Parnell, Todd Grace & Ed Carr join Tim, for a lively talk in front of a packed house at Glen Glenn Film Center in Hollywood, California. They discuss their approaches to long ”oners” and the detailed panning they need, pushing backgrounds and ambiences as much as they can without crowding dialog, and how far is too far with the sounds of medical procedures. Big Thanks to SoundDay LA’s sponsors: Remoto Playback (https://remotopro.io/) , ASG (https://www.asgllc.com/) & Sound Ideas (https://sound-ideas.com/) ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/
Episode Notes: https://tonebenderspodcast.com/376-live-from-soundday-la-the-pitt-dtf-st-louis-hacks/
Podcast Homepage: https://tonebenderspodcast.com/
This episode is hosted by Timothy Muirhead

Demonic oppression was the story of this year’s UK horror film showcase – along with female survivorship, identity differences and the dangers of the internet. Hardy survivors Kim Newman, Anton Bitel and Virginie Selavy explore our latest demons in this roundtable post-mortem.

Under discussion:

Demonic conspiracies and satanic possession in
👻 For We Are Many (Lawrie Brewster, Andrew Ionides, Brad Watson, Mitch Wilson, Carlos Omar De Leon, Matthan Harris, Dane Keil, Mark Logan; UK)
👻 Porno (Keola Racela, USA)
👻 Ready or Not (Matt Bettinelli-Olpin and Tyler Gillett, USA)
👻 Daniel Isn’t Real (Adam Egypt Mortimer, USA)
👻 The Black String (Brian Hanson, USA)

The slipperiness of truth and safety online in
👻 Death of a Vlogger (Graham Hughes, UK)
👻 Deadcon (Caryn Waechter, USA)
👻 Ghost Killers vs Bloody Mary (Fabrício Bittar, Brazil)
👻 Halloween Party (Jay Dahl, Canada)
👻 The Drone (Jordan Rubin, USA)

Differences of sexuality, class and gender in
👻 Spiral (Kurtis David Harder, Canada)
👻 The Dark Red (Dan Bush, USA)
👻 Satanic Panic (Chelsea Stardust, USA)
👻 The Wind (Emma Tammi, USA)
👻 Criminal Audition (Samuel Gridley, UK)
👻 Why Don’t You Just Die! (Kirill Sokolov, Russia)

Female survivors in
👻 A Good Woman Is Hard to Find (Abner Pastoll, UK)
👻 Feedback (Pedro C. Alonso, Spain/USA)

Parental angst in
👻 Freaks (Zach Lipovsky, Canada)
👻 The Deeper You Dig (Toby Poser & John Adams, USA)
👻 Knives and Skin (Jennifer Reeder, USA)

The monstrous in
👻 Rabid (Jen & Sylvia Soska, Canada)
👻 Depraved (Larry Fessenden, USA)

Animal Hyperrealism IV is a milestone in animal sound libraries, and here's Mattia Cellotto with the story behind this massive undertaking. Learn more at https://www.asoundeffect.com/mc26/ – and hear examples from the sound library + get the fascinating stories behind them, in his in-depth conversation with Jennifer Walden. Hosted by Asbjoern Andersen

Och kanske kan den kunskapen hjälpa yrkesfiskare att skrämma bort denna storätare

Lyssna på alla avsnitt i Sveriges Radios app.

Sälar som förstör redskap och äter upp fångst är ett stort problem för yrkesfiskare. Hösten 2023 påbörjades därför ett treårigt forskningsprojekt som handlar om att ta fram en ny sorts sälskrämma. Det är Eva-Lotta Blom, marinbiolog vid SLU i Umeå, och Örjan Johansson professor i teknisk akustik vid Luleå tekniska universitet som arbetar med att utveckla en fungerande skrämma. Dagens skrämmor skickar ut ljud mellan 10-15 000 hertz men ny forskning visar att sälarna hör långt över det och nu arbetar Eva-Lotta och Örjan med att hitta rätt frekvens för att skapa maximalt obehag utan att skada.

Ljudvärld möter de båda för att prata frekvens, morrhår och hur man hanterar ljud i vatten.

Reporter och producent: Joseph Knevel
Slutmix: Maths Källqvist
Ljudvärld produceras för Sveriges Radio av Knevel

The “I’m Lovin’ It” jingle is one of the most recognizable melodies on Earth. But the story behind it involves a global competition, thousands of mixes, a Trojan Horse pop song, and a surprising amount of celebrity beef. In this updated version of one of our favorite episodes, we trace how a five-note jingle became a worldwide phenomenon, and the controversy over who actually wrote it. Featuring Tom Batoy and Franco Tortora of Mona Davis Music.

Twenty Thousand Hertz is produced by ⁠⁠Defacto Sound⁠⁠.

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