The journey toward making the feature film “CLOUDS”—now available on Disney+—was a long one for director Justin Baldoni. In 2013 Justin released a short doc on Zach Sobiech, a remarkable 17-year-old diagnosed with osteosarcoma. The story of Zach’s life, how he lived, and how he brightened the world for everyone around him struck a massive chord with Justin. Since then, bringing that story to the screen has been both a passion and a promise to keep. With the film’s release, Justin has kept his promise to Zach and gave us all the gift of perspective with this touching story.

Jimmy Sieczka is a Production Sound Mixer based out of Los Angeles, California. He has travelled around the world working on projects such as Amazon’s The Pack hosted by Lindsey Vonn, Bravo’s Below Deck Mediterranean and Discovery’s Naked and Afraid XL. Jimmy’s a natural storyteller and he tells it like it is. He was also a previous guest on Episode 003 so check out that one too.

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

In this episode we talk with Steve Boeddeker about the sound of the new documentary, The Dissident. He handled the entire sound edit and mix on this engrossing and complicated story that leans on sound heavily to make things clear. After that we visit with Cory Rizos, out of Montreal, and discuss his career in sound.

Demonic oppression was the story of this year’s UK horror film showcase – along with female survivorship, identity differences and the dangers of the internet. Hardy survivors Kim Newman, Anton Bitel and Virginie Selavy explore our latest demons in this roundtable post-mortem.

Under discussion:

Demonic conspiracies and satanic possession in
👻 For We Are Many (Lawrie Brewster, Andrew Ionides, Brad Watson, Mitch Wilson, Carlos Omar De Leon, Matthan Harris, Dane Keil, Mark Logan; UK)
👻 Porno (Keola Racela, USA)
👻 Ready or Not (Matt Bettinelli-Olpin and Tyler Gillett, USA)
👻 Daniel Isn’t Real (Adam Egypt Mortimer, USA)
👻 The Black String (Brian Hanson, USA)

The slipperiness of truth and safety online in
👻 Death of a Vlogger (Graham Hughes, UK)
👻 Deadcon (Caryn Waechter, USA)
👻 Ghost Killers vs Bloody Mary (Fabrício Bittar, Brazil)
👻 Halloween Party (Jay Dahl, Canada)
👻 The Drone (Jordan Rubin, USA)

Differences of sexuality, class and gender in
👻 Spiral (Kurtis David Harder, Canada)
👻 The Dark Red (Dan Bush, USA)
👻 Satanic Panic (Chelsea Stardust, USA)
👻 The Wind (Emma Tammi, USA)
👻 Criminal Audition (Samuel Gridley, UK)
👻 Why Don’t You Just Die! (Kirill Sokolov, Russia)

Female survivors in
👻 A Good Woman Is Hard to Find (Abner Pastoll, UK)
👻 Feedback (Pedro C. Alonso, Spain/USA)

Parental angst in
👻 Freaks (Zach Lipovsky, Canada)
👻 The Deeper You Dig (Toby Poser & John Adams, USA)
👻 Knives and Skin (Jennifer Reeder, USA)

The monstrous in
👻 Rabid (Jen & Sylvia Soska, Canada)
👻 Depraved (Larry Fessenden, USA)

Go behind Soul’s superb sound in our brand new interview with supervising sound editor Coya Elliott, and re-recording mixer, sound designer and supervising sound editor Ren Klyce. Interview by Jennifer Walden, hosted by Asbjoern Andersen and Christian Hagelskjaer.

We chat with Composer Steven Price about the music of Netflix’s animated musical, Over the Moon and documentary feature, David Attenborough: A Life on Our Planet.

Steven Price is an Academy Award winning film composer. His unique, story-driven approach to the craft of film scoring has seen him work on some of the most innovative productions of recent years. From Alfonso Cuaron’s GRAVITY to Edgar Wright’s BABY DRIVER, Steven’s individualistic scores seek to enhance the ideas and images of great filmmakers in truly bespoke ways.

Price’s diverse music reflects the wide range of movie and television projects he has been involved with. Beginning his career in the late 1990s, Price contributed to productions such as The Lord of the Rings trilogy and Batman Begins, before making his scoring debut in 2011 with Joe Cornish’s inner-city horror comedy, ATTACK THE BLOCK. Recent years have seen him compose distinctive scores for Claire McCarthy’s reimagining of Hamlet, OPHELIA, David Ayer’s SUICIDE SQUAD, and the Paramount Animation WONDER PARK.

From his incorporation of original WW2 tanks in the percussion of the Brad Pitt starring FURY to the wind instrument driven score created for Tom Harper’s THE AERONAUTS, the music created for each production seeks to give each story its unique voice, the result of an experimental and collaborative process.

His work in the Natural History realm, working alongside Sir David Attenborough on THE HUNT, (for which Price won a Bafta), and the Netflix Original OUR PLANET, (nominated for two score Emmys), will continue in 2022 with a new live arena spectacular, OUR PLANET LIVE IN CONCERT, the premiere for which will be held at London’s O2 Arena in January 2022.

Future projects include the Netflix Animation OVER THE MOON, directed by Glen Keane, autobiographical documentary, DAVID ATTENBOROUGH – A LIFE ON OUR PLANET, Gavin Rothery’s ARCHIVE, and, in the continuation of a collaboration that began with SCOTT PILGRIM vs THE WORLD in 2010, Edgar Wright’s forthcoming LAST NIGHT IN SOHO.

Steven’s music has received many accolades and been performed at iconic venues around the world including The Royal Albert Hall and The Hollywood Bowl.

www.stevenpricemusic.com

På vilket avstånd går det att höra en man skrika? Hur kontrolleras om en inspelning är äkta? Till vilken grad kan bedragare imitera och komma undan med ett brott? Och hur unika är våra röstavtryck?

Möt polisens ljudexperter hos NFC, Nationellt forensiskt centrum i Linköping och följ med in i deras kriminaltekniska ljudlabboratorium.
Ett program av Nils Eklund & Joseph Knevel, hör av dig till programmet på ljud [at] sverigesradio [dot] se

Synesthesia is a neurological condition where one sensory experience gets combined with another, meaning someone might hear sounds when they eat, or see colors when they listen to music. So what exactly is synesthesia? And what’s it like to go through life with these unique sensory connections? Featuring the voices of neuroscientist Dr. Richard Cytowic and five people with synesthesia.

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If you know what this week’s mystery sound is, tell us at mystery.20k.org.

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Check out Dr. Richard Cytowic’s work at cytowic.net.

Check out Joel Salinas’ book Mirror Touch: A Memoir of Synesthesia and the Secret Life of the Brain.

Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/synesthesia

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