Juan Ortiz is a production sound mixer and boom op based out of Philadelphia, Pennsylvania. He uses a Sound Devices 833 mixer/recorder and also likes the Audio Limited/Sound Devices A10 wireless transmitters and receivers. On the boom pole, Juan uses the Schoeps CMC 641 and the CMIT 5 as well as the Sennheiser MKH-50 and MKH-416. For wires, he uses DPA lavs and Sanken COS-11s. Juan also likes Tentacle Sync timecode sync boxes including the Timebar Slate. Betso Bowtie antennas also round out the kit. Check out Juan at https://www.reddpenmedia.com/ and https://www.instagram.com/b3hindtheboom/

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

The conversation continues about what is expected when working in audio post on high level films and series. Where is the line between an sound editor and sound mixer? Greg King, Jon Greasley, Brittany Ellis, Nikola Simikic and Ben Cook all share their vast experience and thoughts on where things are going. Make sure you go back, to catch part one of this roundtable talk in episode 379. _______ Register for the Inside NYC Audio Post Event coming up on Oct 15th at Sound Lounge here: https://www.mpse.org/event-6844200 ______ Come out to Audio Post MX in Mexico City on Oct 29th! For Full details and to register to attend go to: https://docs.google.com/forms/d/e/1FAIpQLSeSK9dYGm0rfAxP9cHGCNdkkiTdZEm7s-UmumDE9vNkw1mBjQ/viewform _______ Check out the full schedule at this year’s, completely free to attend, SonicDays Conference in Denmark. https://sonicdays.com/ ________ SPONSORS: Sound Ideas is heading to GameSoundCon 2026 at the Burbank Convention Center in Burbank, California, on October 20th–21st! The event features educational seminars and opportunities to connect with fellow industry professionals. Be sure to visit Sound Ideas at booth seven to meet the team and access exclusive offers available only at the show. Can’t make it in person? Contact Sound Ideas for some special offers.
Episode Notes: https://tonebenderspodcast.com/380-sound-editors-that-mix-mixers-that-edit-part-2/
Podcast Homepage: https://tonebenderspodcast.com/
This episode is hosted by Timothy Muirhead

Demonic oppression was the story of this year’s UK horror film showcase – along with female survivorship, identity differences and the dangers of the internet. Hardy survivors Kim Newman, Anton Bitel and Virginie Selavy explore our latest demons in this roundtable post-mortem.

Under discussion:

Demonic conspiracies and satanic possession in
👻 For We Are Many (Lawrie Brewster, Andrew Ionides, Brad Watson, Mitch Wilson, Carlos Omar De Leon, Matthan Harris, Dane Keil, Mark Logan; UK)
👻 Porno (Keola Racela, USA)
👻 Ready or Not (Matt Bettinelli-Olpin and Tyler Gillett, USA)
👻 Daniel Isn’t Real (Adam Egypt Mortimer, USA)
👻 The Black String (Brian Hanson, USA)

The slipperiness of truth and safety online in
👻 Death of a Vlogger (Graham Hughes, UK)
👻 Deadcon (Caryn Waechter, USA)
👻 Ghost Killers vs Bloody Mary (Fabrício Bittar, Brazil)
👻 Halloween Party (Jay Dahl, Canada)
👻 The Drone (Jordan Rubin, USA)

Differences of sexuality, class and gender in
👻 Spiral (Kurtis David Harder, Canada)
👻 The Dark Red (Dan Bush, USA)
👻 Satanic Panic (Chelsea Stardust, USA)
👻 The Wind (Emma Tammi, USA)
👻 Criminal Audition (Samuel Gridley, UK)
👻 Why Don’t You Just Die! (Kirill Sokolov, Russia)

Female survivors in
👻 A Good Woman Is Hard to Find (Abner Pastoll, UK)
👻 Feedback (Pedro C. Alonso, Spain/USA)

Parental angst in
👻 Freaks (Zach Lipovsky, Canada)
👻 The Deeper You Dig (Toby Poser & John Adams, USA)
👻 Knives and Skin (Jennifer Reeder, USA)

The monstrous in
👻 Rabid (Jen & Sylvia Soska, Canada)
👻 Depraved (Larry Fessenden, USA)

Animal Hyperrealism IV is a milestone in animal sound libraries, and here's Mattia Cellotto with the story behind this massive undertaking. Learn more at https://www.asoundeffect.com/mc26/ – and hear examples from the sound library + get the fascinating stories behind them, in his in-depth conversation with Jennifer Walden. Hosted by Asbjoern Andersen

Och kanske kan den kunskapen hjälpa yrkesfiskare att skrämma bort denna storätare

Lyssna på alla avsnitt i Sveriges Radios app.

Sälar som förstör redskap och äter upp fångst är ett stort problem för yrkesfiskare. Hösten 2023 påbörjades därför ett treårigt forskningsprojekt som handlar om att ta fram en ny sorts sälskrämma. Det är Eva-Lotta Blom, marinbiolog vid SLU i Umeå, och Örjan Johansson professor i teknisk akustik vid Luleå tekniska universitet som arbetar med att utveckla en fungerande skrämma. Dagens skrämmor skickar ut ljud mellan 10-15 000 hertz men ny forskning visar att sälarna hör långt över det och nu arbetar Eva-Lotta och Örjan med att hitta rätt frekvens för att skapa maximalt obehag utan att skada.

Ljudvärld möter de båda för att prata frekvens, morrhår och hur man hanterar ljud i vatten.

Reporter och producent: Joseph Knevel
Slutmix: Maths Källqvist
Ljudvärld produceras för Sveriges Radio av Knevel

When a filmmaker pairs a scene with the perfect song, the results can become iconic. But when and how did movies start using popular music this way? In this episode, Dallas, Casey and Grace trace the history of “needle drops,” from a forgotten Broadway song that became an unlikely hit, to the rock ‘n’ roll record that transformed movie soundtracks, to the happy accidents behind some of the most famous scenes of the ‘60s, ‘70s, and ‘80s. Along the way, they reveal how movies and popular music became permanently intertwined.

Build your Sonos home sound system today at sonos.com.

Twenty Thousand Hertz is produced by ⁠⁠Defacto Sound⁠⁠.

Support the show and get ad-free episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠20k.org/plus⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Subscribe on ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠ to see our video series.

Follow Dallas on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠, ⁠⁠Facebook⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠.

If you know what this week’s mystery sound is, tell us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠mystery.20k.org⁠⁠⁠⁠⁠⁠⁠⁠⁠.