Jessie Van Der Vyver is a Production Sound Mixer based out of Kansas City, Missouri and also London, England. Jessie uses a Sound Devices 888 mixer/recorder. He also uses Sound Devices A20 wireless TXs and RXs including the A20 mini transmitters. Additional wireless includes Lectrosonics TXs and RXs. For time code boxes he likes Ambient Recording LockIt and NanoLockits. For lavs, Jessie uses DPA 6060s and 4060s. On the boom pole he has a Schoeps CMIT 5u and also uses the Schoeps Colette CMC 6u with mk41 capsules. Jessie also uses a DPA 4017c on the boom.

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

At the premier of Saturday Night at The Toronto International Film Festival, Director Jason Reitman made a special point of telling the audience that the sound team ”put in a lot of work into making it feel like they didn’t do any work at all”. This is not the kind of film that you would think would have tricky sound obstacles, but that was not the case at all. Supervising Sound Editors Will Files, Lee Gilmore and David Butler, join production sound mixer Steven Morrow and music editor Chris Newlin to talk about the challenges they faced on this film. Don’t miss part 2 of our coverage coming out next, featuring Jon Batiste about how the score was recorded on set during production?!
This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. www.sound-ideas.com/Product/2400/Ju…-Sound-Effects-

Show Notes: tonebenderspodcast.com/281-the-sound…turday-night/
Homepage: tonebenderspodcast.com/
Tonebenders Host This Episode: Timothy Muirhead

Demonic oppression was the story of this year’s UK horror film showcase – along with female survivorship, identity differences and the dangers of the internet. Hardy survivors Kim Newman, Anton Bitel and Virginie Selavy explore our latest demons in this roundtable post-mortem.

Under discussion:

Demonic conspiracies and satanic possession in
👻 For We Are Many (Lawrie Brewster, Andrew Ionides, Brad Watson, Mitch Wilson, Carlos Omar De Leon, Matthan Harris, Dane Keil, Mark Logan; UK)
👻 Porno (Keola Racela, USA)
👻 Ready or Not (Matt Bettinelli-Olpin and Tyler Gillett, USA)
👻 Daniel Isn’t Real (Adam Egypt Mortimer, USA)
👻 The Black String (Brian Hanson, USA)

The slipperiness of truth and safety online in
👻 Death of a Vlogger (Graham Hughes, UK)
👻 Deadcon (Caryn Waechter, USA)
👻 Ghost Killers vs Bloody Mary (Fabrício Bittar, Brazil)
👻 Halloween Party (Jay Dahl, Canada)
👻 The Drone (Jordan Rubin, USA)

Differences of sexuality, class and gender in
👻 Spiral (Kurtis David Harder, Canada)
👻 The Dark Red (Dan Bush, USA)
👻 Satanic Panic (Chelsea Stardust, USA)
👻 The Wind (Emma Tammi, USA)
👻 Criminal Audition (Samuel Gridley, UK)
👻 Why Don’t You Just Die! (Kirill Sokolov, Russia)

Female survivors in
👻 A Good Woman Is Hard to Find (Abner Pastoll, UK)
👻 Feedback (Pedro C. Alonso, Spain/USA)

Parental angst in
👻 Freaks (Zach Lipovsky, Canada)
👻 The Deeper You Dig (Toby Poser & John Adams, USA)
👻 Knives and Skin (Jennifer Reeder, USA)

The monstrous in
👻 Rabid (Jen & Sylvia Soska, Canada)
👻 Depraved (Larry Fessenden, USA)

Symphonic Ambiences (asoundeffect.com/symphonicambiences) is an impressive MODULAR sound effects library that gives you 41 layered ambience scenes – allowing you to control each layer for maximum customization. With the sound library featuring a staggering 242 isolated layers and 15+ hours of recordings, creating it was a massive undertaking for sound designer and recordist Michael O’ Connor – and here’s the story on how he successfully made it happen. Interview by Jennifer Walden, hosted by Asbjoern Andersen from asoundeffect.com

Det är för bra för att vara sant, nästan science fiction säger professor Li Huei-Tsai om sina forskningsresultat

Lyssna på alla avsnitt i Sveriges Radio Play.

Li Huei-Tsai är professor i neurovetenskap och chef över Picower institutet för inlärning och minne på MIT, i USA.
Hon och hennes kollegor upptäckte, nästan av en slump, att stimulans av ljud och ljus i rätt frekvens, 40 hertz, kan öka och stabilisera gammavågor i hjärnan. Det i sin tur, menar de, hjälper hjärnans immunceller att rensa bort plack som man ju tror är en bidragande orsak till att nervceller dör i en hjärna sjuk i Alzheimer.

Vi får höra Li Huei-Tsai berätta om sina forskningsfynd och får höra musik inspirerad av hennes resultat.

Reporter och producent: Joseph Knevel
Slutmix: Maths Källqvist
Musik: Gammified av Tod Machover. Verket skrevs för Kronos Perfomning Arts Association och det de kallar “fifty for the future” ett gratis bibliotek bestående av femtio nutida verk skrivna för stråkkvartetter och som alla går att hitta på kronosquartet.org

En produktion av Knevel

Senaste forskningsresultaten från MIT:
https://picower.mit.edu/news/small-studies-40hz-sensory-stimulation-confirm-safety-suggest-alzheimers-benefits

https://picower.mit.edu/news/40-hz-vibrations-reduce-alzheimers-pathology-symptoms-mouse-models

Since its debut in 2018, Bluey has become one of the most popular and beloved TV shows of all time. In this episode, Bluey’s sound designer and mixer Dan Brumm walks us through how the show began, the unique challenges of season one, and the lengths he goes to give the show its organic sound. Plus, Dallas reveals the secret timing of the Bluey theme song.

If you know what this week’s mystery sound is, tell us at mystery.20k.org.

Follow Dallas on Instagram, TikTok and LinkedIn.

Watch our video shorts on YouTube, and join the discussion on Facebook.

Take a free test drive of OCI at oracle.com/20k.

Get the CFO’s Guide to AI and Machine Learning at netsuite.com/20k.

Subscribe to the Ad Infinitum podcast.

Episode transcript, music, and credits can be found here: 20k.org/episodes/thesoundofbluey

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