Rob Moore is a production sound mixer and boom op based out of Dublin, Ireland. He uses a Sound Devices 633 mixer/recorder and he likes Lectrosonics wireless transmitters and receivers. On the boom pole, he prefers the Sennheiser MKH-50. DPA lavaliers are his choice for wiring talent. For timecode boxes, he uses Tentacle Sync. Rob recently started a film industry clothing line for crew members located at https://www.cruclothing.com/ His sound company can also be found at https://www.soundspeed.ie/

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

In 2025 Johnnie Burn has been busy. As supervising sound editor and re-recording mixer on some of the most talked about films of the year, he has jumped between working on the emotional roller coaster Hamnet, the incredibly tense Bugonia and the terrifying 28 Years Later. Three very different films that are all lead by director’s with very specific visions. Johnnie takes us on a spoiler free journey, to tell us how he was able to tackle these films and find the sonic voice of each one. _________
Sponsor: This Cyber Monday, Sound Ideas is offering an incredible opportunity for audio professionals. You can take 50% off all proprietary sound libraries, including some of the most trusted effects in post-production. And for creators looking to expand fast, the General HD Collection is on flash sale at $750, down from $2,995. This is your chance to grab pro-quality sounds for a fraction of the price. Visit https://www.sound-ideas.com/ and upgrade your sound library today.___________
Episode Notes: https://tonebenderspodcast.com/339-johnnie-burns-big-year-with-hamnet-bugonia-28-years-later/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead

Demonic oppression was the story of this year’s UK horror film showcase – along with female survivorship, identity differences and the dangers of the internet. Hardy survivors Kim Newman, Anton Bitel and Virginie Selavy explore our latest demons in this roundtable post-mortem.

Under discussion:

Demonic conspiracies and satanic possession in
👻 For We Are Many (Lawrie Brewster, Andrew Ionides, Brad Watson, Mitch Wilson, Carlos Omar De Leon, Matthan Harris, Dane Keil, Mark Logan; UK)
👻 Porno (Keola Racela, USA)
👻 Ready or Not (Matt Bettinelli-Olpin and Tyler Gillett, USA)
👻 Daniel Isn’t Real (Adam Egypt Mortimer, USA)
👻 The Black String (Brian Hanson, USA)

The slipperiness of truth and safety online in
👻 Death of a Vlogger (Graham Hughes, UK)
👻 Deadcon (Caryn Waechter, USA)
👻 Ghost Killers vs Bloody Mary (Fabrício Bittar, Brazil)
👻 Halloween Party (Jay Dahl, Canada)
👻 The Drone (Jordan Rubin, USA)

Differences of sexuality, class and gender in
👻 Spiral (Kurtis David Harder, Canada)
👻 The Dark Red (Dan Bush, USA)
👻 Satanic Panic (Chelsea Stardust, USA)
👻 The Wind (Emma Tammi, USA)
👻 Criminal Audition (Samuel Gridley, UK)
👻 Why Don’t You Just Die! (Kirill Sokolov, Russia)

Female survivors in
👻 A Good Woman Is Hard to Find (Abner Pastoll, UK)
👻 Feedback (Pedro C. Alonso, Spain/USA)

Parental angst in
👻 Freaks (Zach Lipovsky, Canada)
👻 The Deeper You Dig (Toby Poser & John Adams, USA)
👻 Knives and Skin (Jennifer Reeder, USA)

The monstrous in
👻 Rabid (Jen & Sylvia Soska, Canada)
👻 Depraved (Larry Fessenden, USA)

Not only did Ben Baird design and mix the sound for director Alex Parkinson's DRAMATIC film, Last Breath. He also designed and mixed the sound for director Alex Parkinson's DOCUMENTARY film, Last Breath. Same story told with two different approaches; documentary and dramatic – using the same director, same composer, and of course, same sound designer and mixer.

This is truly a rare occurrence, and we're excited to share how Ben Baird approached the sound for both, what unique challenges each film posed, how documentary sound compares to dramatic film sound – and what he's taken away from this experience of mixing the same story for two different genres.

Och kanske kan den kunskapen hjälpa yrkesfiskare att skrämma bort denna storätare

Lyssna på alla avsnitt i Sveriges Radios app.

Sälar som förstör redskap och äter upp fångst är ett stort problem för yrkesfiskare. Hösten 2023 påbörjades därför ett treårigt forskningsprojekt som handlar om att ta fram en ny sorts sälskrämma. Det är Eva-Lotta Blom, marinbiolog vid SLU i Umeå, och Örjan Johansson professor i teknisk akustik vid Luleå tekniska universitet som arbetar med att utveckla en fungerande skrämma. Dagens skrämmor skickar ut ljud mellan 10-15 000 hertz men ny forskning visar att sälarna hör långt över det och nu arbetar Eva-Lotta och Örjan med att hitta rätt frekvens för att skapa maximalt obehag utan att skada.

Ljudvärld möter de båda för att prata frekvens, morrhår och hur man hanterar ljud i vatten.

Reporter och producent: Joseph Knevel
Slutmix: Maths Källqvist
Ljudvärld produceras för Sveriges Radio av Knevel

Behind Fallout’s apocalyptic sci-fi and retro nostalgia is a masterclass in sound design. In this episode, we explore how the audio teams behind both the video games and the TV series built Fallout’s signature sonic identity, from Pip Boy clicks to weapon blasts to mutant roars. Along the way, we uncover how the show’s creators honored the classic game sounds while reimagining them for a bigger, more cinematic experience. Featuring Mark Lampert, Sue Cahill, Daniel Colman, Steve Bucino, and Keith Rogers.

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