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Film Sound Sweden

Artiklar & Tips

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FSS:
Om Klas Dykhoffs bok Ljudbild eller synvilla
FSS:s boktips
FSS:s anslagstavla för perioden 5/5 1998 - 16/5 1999
FSS:s anslagstavla för perioden 25/5 1999 - 26/1 2001
FSS:s anslagstavla för perioden 25/1 2001 - 5/11 2001
FSS:s anslagstavla för perioden 6/11 2001 - 22/5 2002
FSS:s anslagstavla för perioden 23/5 2002 - 23/12 2002
FSS:s anslagstavla för perioden 24/12 2002 - 10/6 2003
FSS:s anslagstavla för perioden 10/6 2003 - 9/10 2003
FSS:s anslagstavla för perioden 12/10 2003 - 25/3 2004
Filmljudjournalen #1 (PDF)
Filmljudjournalen #2 (PDF)
Tips och Råd från din Ljudavdelning (PDF)

Ljudvågen:
Ljudvågen 2001
Ljudvågen 2002
Ljudvågen 2003
Ljudvågen 2004
Ljudvågen 2005
Ljudvågen 2006
Ljudvågen 2007

Björn Öberg-stipendiet:
Björn Öberg-stipendiet 2005



E-postlistor & forum:
Postforum
Sound Article List – Mailing List for Sound Design Theory
Sound Design discussion list
The Recording Arts Forum
rec.arts.movies.production.sound



Mikrofoner:
UNDERSTANDING AND USING DIRECTIONAL MICROPHONES
RECORDING THE SPOKEN VOICE
RECORDING THE SPOKEN WORD
CAPACITOR MICROPHONES EXPLAINED
STEREO MICROPHONE TECHNIQUES EXPLAINED - I
STEREO MICROPHONE TECHNIQUES EXPLAINED - II
20 TIPS ON USING MICROPHONES
FREQUENTLY ASKED QUESTIONS: USING MICROPHONES
MIC TYPES & CHARACTERISTICS
MICROPHONE TYPES & USES
Wireless Microphone Systems - Operational Basics and Applications
Middle-Side (MS) Recording and Playback Techniques
Understanding Stereo Microphone Techniques and M/S Stereo
Om vindskydd till mikrofoner
The Art of Zen-Boom (part one)
The Art of Zen-Boom (part two)



Inspelningsutrustning:
DIGITAL PERSPECTIVES Archivists Warn: Don't Depend on DAT
Comments on NagraMaster
Peter Devlin selects the Nagra D for Oliver Stone's 'Any Given Sunday'
NAGRA-D Head Cleaning Instructions
Aaton – Canter
HHB – Portadrive
Fostex PD-6
Sound Devices 744T och 722
Zaxcom – Deva
Zaxcom – Cameo
DEVA
DEVA HARD DISK RECORDING ON LOCATION
Deva – Sound of Voices



Ordlistor:
Audio/Video Glossary
Larry Blake's Film Sound Glossary
DAW-glossary
Basic Computer Terminology
A Brief Glossary of Sound Formats and Related Elements
A Dictionary of Units
Editing Terms
Film Sound Glossary
Movie Glossary
Film Editing Glossary
Glossary of Film Terms by Joel Schlemowitz
Frequently Asked Questions about Surround Sound
Glossary of Motion Picture Terms
Glossary of Photographic Terms
Glossary - Ordlista med förklaringar
Graniz audiovisuella ordlista
IMDb Movie Terminology Glossary
Instrument OnLines ordlista
Ljudteknisk ordlista
Luthmans språklåda
Myndigheternas skrivregler
Online Film Dictionary
Quantel's Digital Fact Book
Rane Professional Audio Reference
Reference - Filmmaking information guides
RUFS - Ljudteknikerns guide till galaxen
RUFS - Om ljudteknik
RUFS - Om digitalteknik
Språkbanken
SR:s språkråd
STV:s tekniska ordbok
Svenska akademiens ordbok
Svenska datatermgruppen
Svenska språknämnden
SvD:s språkråd
Technical Glossary of Common Audiovisual Terms
Tekniska nomenklaturcentralen
Units Converter



Diverse:
PC-DAW - En subjektiv betraktelse av Christian Christensen
Om ett ljudfilmsexperiment gjort av W. K. L. Dickson på Edisons labb år 1895
Om arbete vid dator
The Secret Life of Audio Crossfades
A Brief History of Film Dubbing
Silverless Sound Tracks
How to Care for your Audio Collection
The Evolution of Dolby Film Sound
Om filmljudsystem
A Brief History of the Reproduction of Sound in Movie Theatres
Synk Tank - The Art and Techniques of Post Prod Sound
AMMOT - Artister och musiker mot tinnitus
Om hörselskador
Om hur hörseln fungerar
Tinnitus Regionförening Västra Götaland
Tinnitus-länkar
Klassiska filmljudtexter
Svenska filmbolag
Om utbildningsvägar för den som vill bli filmljudtekniker
Siffror, siffror, siffror
En välmatad faktasamling
Faktabanken
Binaural Excitement - En artikel av Tchad Blake



Folks funderingar:
En intervju med Sound Designer Steve Munro
Interview with Gary Rydstrom October 1998
Dear Nonlinear Picture Editing Department, av Larry Blake
An Open Letter from your Sound Department
Lee Orloff's Production Recording of 'The Patriot'
On Location with Marc McNabb
Creating Sound for Demme
The Utility Sound Technician



SvenE Carlssons sidor:
Film Sound Design - Film Sound Theory
What´s New on FILM SOUND THEORY
Randy Thom Articles
Walter Murch Articles
Om ett ljudfilmsexperiment gjort av W. K. L. Dickson på Edisons labb år 1895
Rapport från filmljudseminariet "Film Sound as Means of Expression" 13 - 16 januari 2000 i Köpenhamn
Sound in Tarkovski's Sacrifice
Film Music
Film Sound Cliches
Film Sound Q & A
Film Sound History
Film Sound Bibliography
Film Sound Links
FILMLJUD - gestaltande ljudläggning



Från AMPS:

Association of Motion Picture Sound Production Sound Essentials
Recommendations for Original Sound Track Identification and Transfer Procedures
Extraneous Noise on Sets
Production Office Sound Productivity Document
Results of approaches to Lighting Contractors



Sök i CAS:s webbforum:
Cinema Audio Society Information Archive



Några kapitel ur David Lewis Yewdalls bok
The Practical Art of Motion Picture Sound:
The Challenging Battlefield of Production Sound
Preparations for location Sound Recording
Custom Recording Sound Effects
Recording digitally with the Zaxcom DEVA
The venerable Nagra IV-S
Timecode & Format
Nonlinear -- the Digital Workstation Planning for Recording
Sound Design Myths and Realities
Sound Design expanded
FOLEY : The Art of Footsteps, Props and Cloth Movement
Picture Editorial and the use of the Sound
Om boken The Practical Art of Motion Picture Sound



Equipment Emporium Articles:
Table of Contents
Consistency in Production Sound Recording
Lavaliers
THE SOUNDTRACK: A basic Introduction
PRODUCTION SOUND: An Overview
Intro to Pre-Production Planning for Audio
Shockmounts & Windscreens
The "Hollywood" Approach to Better Location Sound
Using Wireless Mics
Selection and Application of Shotgun Mics
Introduction to the Use of Boompoles
Tape Boxes and Labels
Sample Budget for Production Sound
Memo to Producers Re: Controllable Background Noise
Learn to monitor audio through your headphones
Setting Levels for DAT
Crew Exepectations
Red Dotting Microphones
Why use a mixing panel?
Is Timecode Always Necessary?
Audio for DV, Hi8mm, SVHS camcorders
Guide to Audio Technica Mics for Film / TV



Turner Audio Articles:
Table of Contents
Avoiding Ground Loops On Location
Batteries are Boring
Understanding Stereo Microphone Techniques and M/S Stereo
Understanding Phase
A Wireless Microphone Primer
Optimize Your Wireless!
Processing For Post
Be Prepared!
An Audio Level Metering Primer
Is Your Mic-Pre Clean? Past 30 kHz?



CinePost tips:
CinePost Tech Talk



Pro Tools-tips från Editors Guild:
#1 Organizational Tips
#2 Procedural Tips
#3 How to Do Some Quick and Dirty Sound Design
#4 The Mystery of the Grabber Tool Revealed
#5 Video Sync
#6 Useful but Obscure Tips
#7 The Option and Control Keys
#8 The Command Key
#9 Selecting Across Tracks/Shuffle Mode
#10 Screen Redraws
#11 Imprinting Changes
#12 Quick Navigation
#13 Spot Mode Window/Tones for Transfer Pro Tools Pointer
#14 Version 4 Fades Window
#15 Your Friends, The Mac 'Cut' & 'Paste' Commands...& More
#16 Handy Tips from My Colleagues
#17 More Tips From My Colleagues
#18 Fond Memories of Preview Codes
#19 Showing the Region List Who is in Charge
#20 Productivity and Ergonomics - They CAN Coexist
Audio Microsurgery
Preparing Reels for Dialog Editing - Part 1
Preparing Reels for Dialog Editing - Part 2
#21 Digipix Tricks, Multi-Speed Auditioning & 5.1 Features
Pro Tools Focus Keys
#22 Mac Shortcuts, Voice Rippling & More
ProTools Plug-Ins



AudioVision-tips från Editors Guild:
What is AudioVision?
What is AudioVision Part II
AudioVision Kwik Tips
AudioVision Goes Pro Tools



Fairlight-tips från Editors Guild:
Fairlight - An Introduction
Fairlight FAQ: Crisis Management
Stereo to Mono and Back on the Timeline
Developing Macros to Improve Your Workflow
Getting Familiar with Version 15 Software
A New Way to Lift & Hold, and More About Macros
Rebalancing, Change Notes and Macros
Conforming Picture Changes on the Fairlight
Export to Other Programs/IBM & RTB Commands
MDL & Other Commands/.WAV Files
Using the Fairlight on the Dubbing Stage
Jogging & Machine Control
Fairlight's 'Mouseless' Interface



Från Queen's Film studies:
Types of Microphones
Sound Balance
Sound Perspective