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OBS OBS OBS<\/strong><\/span><\/p>\n <\/p>\n Vi har\u00a0haft lite tekniska\u00a0problem. Har\u00a0ni OSA:t efter\u00a021\/5 v\u00e4nligen\u00a0skicka\u00a0in ett mail\u00a0igen. Se uppdaterade\u00a0uppgifter\u00a0nedan!<\/strong><\/p>\n <\/p>\n <\/p>\n Mona Mur kommer\u00a0till Stockholm och pratar\u00a0om skapandet\u00a0och kompositionen\u00a0av abstrakta\u00a0ljudlandskap\u00a0i\u00a0tv-spelet \u201dKane & Lynch 2:Dog Days\u201d.<\/p>\n <\/p>\n Experimental Sound Research in a AAA project: The action title ”Kane & Lynch2: Dog Days” (IO Interactive\/EIDOS) features an original score of psychological 21 ambient soundscapes instead of conventional in game music.<\/em><\/p>\n \u00a0<\/em><\/p>\n \u00a0Over 300 minutes of abstract, disturbing and complex noise and ambient layers from various unusual sources create the desired ”driving but opressive” atmosphere. ”Normal” music only appears when anchored in the scene.<\/em><\/p>\n \u00a0<\/em><\/p>\n ”If we are successful, the audience will perceive this as a game without music, but with a strong sense of the mood in the environment”. (Karsten Lund, Game Director)<\/em><\/p>\n <\/p>\n 1. The background – Industrial Music in the early 80s<\/em><\/p>\n 2. The mission – ”Youtube”, ”Reality 2.0” : crime shooter ”Kane & Lynch 2” and its ”Industrial Terror Ambience”<\/em><\/p>\n 3. The art of noise – how to create a great variety of environmental non-music<\/em><\/p>\n 4. The workflow – how to brief your external composer well<\/em><\/p>\n 5. Ideal and reality – Resume<\/em><\/p>\n <\/p>\n Tid: 29\/5 kl 16.00<\/p>\n \u00a0Plats: DICE, Katarinav\u00e4gen 15, plan 9<\/p>\n <\/p>\n <\/p>\n OSA \u00e4r\u00a0ett\u00a0m\u00e5ste\u00a0om du vill komma\u00a0p\u00e5\u00a0seminariet\u00a0och sker\u00a0senast\u00a028:e maj.<\/p>\n <\/p>\n M\u00e4rk\u00a0anm\u00e4lan med \u201dFSS Mona Mur\u201d<\/p>\n <\/p>\n OSA\u00a0skickas till mar-saa\u00a0(at) hotmail (.) com<\/a><\/span>\u00a0<\/p>\n <\/p>\n Mer info om Mona Mur hittar\u00a0du h\u00e4r.<\/p>\n