{"id":1118,"date":"2013-11-07T10:39:48","date_gmt":"2013-11-07T08:39:48","guid":{"rendered":"http:\/\/www.filmsoundsweden.se\/wordpress\/?p=1118"},"modified":"2013-11-07T10:39:48","modified_gmt":"2013-11-07T08:39:48","slug":"lastips","status":"publish","type":"post","link":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/2013\/11\/07\/lastips\/","title":{"rendered":"L\u00e4stips!"},"content":{"rendered":"<p>Filmfotograferna Roland Sterner och Hans Hansson skrev en v\u00e4ldigt intressant artikel f\u00f6r tidskriften TM 1996, med titeln \u201dLjuset i filmen\u201d, som avhandlar den ljustekniska utvecklingen under 100 \u00e5r, fr\u00e5n 1896 till 1996. Nu finns den texten att l\u00e4sa p\u00e5 Backspegeln, kompletterad med ett avsnitt som \u00e4ven beskriver utvecklingen under 2000-talet.<\/p>\n<p><a href=\"http:\/\/www.filmsoundsweden.se\/backspegel\/ljuset_i_filmen.html\">http:\/\/www.filmsoundsweden.se\/backspegel\/ljuset_i_filmen.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Filmfotograferna Roland Sterner och Hans Hansson skrev en v\u00e4ldigt intressant artikel f\u00f6r tidskriften TM 1996, med titeln \u201dLjuset i filmen\u201d, som avhandlar den ljustekniska utvecklingen under 100 \u00e5r, fr\u00e5n 1896 till 1996. Nu finns den texten att l\u00e4sa p\u00e5 Backspegeln, kompletterad med ett avsnitt som \u00e4ven beskriver utvecklingen under 2000-talet. http:\/\/www.filmsoundsweden.se\/backspegel\/ljuset_i_filmen.html<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[24],"tags":[],"post_folder":[],"class_list":["post-1118","post","type-post","status-publish","format-standard","hentry","category-intervjuer"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/s247AI-lastips","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/1118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/comments?post=1118"}],"version-history":[{"count":2,"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/1118\/revisions"}],"predecessor-version":[{"id":1120,"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/1118\/revisions\/1120"}],"wp:attachment":[{"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/media?parent=1118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/categories?post=1118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/tags?post=1118"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/www.filmsoundsweden.se\/wordpress\/index.php\/wp-json\/wp\/v2\/post_folder?post=1118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}